«Musica e Figura», I, 2011
Catalog (PDF)
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Contains: Franco Bernabei and Antonio Lovato, Introduction, pp. 7-9; Nausica Morandi, Synoptic analysis of a French fragment ofOfficium Stellae, pp. 13-24; Lucia Boscolo Folegana, Hymns of Proprium sanctorum Aquileian, pp. 25-86; Zuleika Murat, Il podium of the parish church of Monselice in the description by Pietro Barozzi, pp. 87-117; Anna Valentini, Sebastiano Filippo and Antonio Goretti: relationships between the arts at the end of the sixteenth century, pp. 119-142; Martina Buran, The air and the practice of reuse in Vivaldi's dramaturgy, pp.143-171; Giuseppe Sava, For Gregorio Lazzarini: Four Evangelists «in half figures», pp. 173-186; Cristina Di Zio Zannolli, Il Kyriale of 1761 preserved in the archive of the monastery of Santa Croce in Fonte Avellana, pp. 187-213; Chiara Marin, Figurative arts and performing arts in the periodical press of the early nineteenth century: the reasons for a comparative investigation, pp-215-254; Alessandra Robles, A musical paradox: Mozart's aesthetics in Spohr's harp, pp. 255-273; Marta Nezzo, Notes on the Venetian artistic heritage during the Second World War: the treasures of Praglia, pp. 275-331; Elisa Nicolini, When a work of art is signed Adolf Hitler: unpublished story on the Führer's watercolours, pp. 333-353; Franco Bernabei, Considerations on the margins of iconology, pp. 355-390; Reviews, pp. 391-406.